Skate Story is a moody, tightly-controlled skating experience that leans hard on atmosphere and flow. The skating feels weighty but precise, the premise and art is inspired, and the soundtrack does a huge amount of emotional lifting. Not a deep trick sandbox like Tony Hawk - more a short, vibey art piece that peaks in its linear flow sequences, and when everything clicks, it’s genuinely special.

Some may ask why the absurd incremental/clicker Tingus Goose exists at all - what is this? Who made this, and why? And yet, in its honking chaos and wilful grotesquery, the answer becomes self-evident. It rejects polish and restraint, favouring curiosity and excess instead. Creation becomes ritual, repetition becomes comfort, and the absurd reveals itself as essential. It’s fun. Honk.

Pocket Boss is a brisk, clever satire dressed up as data-fixing ‘puzzles’ (or probably more accurately WarioWare minigames). It’s short, funny, and sharply designed - over before it wears out its welcome at about 30-40min, but memorable in how it skewers corpo culture. Probably best played on phone.

CloverPit is unabashedly satanic slot-machine Balatro inside Buckshot Roulette - moody, stylish, and addictive. The spins, synergies and vibes hit hard - it’s intriguingly thrilling. Once you’ve cracked a few builds, the depth might run a bit thinner than its counterparts, but absolutely worth a play. It speaks to how strong the core is that I just want more.

A cosy, clever puzzler with adorable art, quirky dialogue and just enough logic to feel satisfying. It’s short and can get repetitive, but, like Thomas Was Alone showed, personified shapes add immediate heart and charm. Hard to not like.

Time Flies is short, strange, and potentially unforgettable. You buzz through clever puzzles and silly bucket list goals, laughing one moment and reflecting the next. It’s over appropriately quickly, but every second is packed with charm and thoughtfulness.

Aviassembly nails the fun of building and flying your own, sometimes absurd, aviation creations. It’s simple, addictive, and surprisingly deep, though missions can feel a bit samey. Short but satisfying, with loads of promise if the dev keeps expanding. Fun for a lazy afternoon.

Cult of the Lamb expands in early 2026 with the Woolhaven DLC. Near the endgame, players can uncover the frozen mountain of Woolhaven, rebuild its lost town, endure blizzards, battle the creeping Rot, and even raise animals through new ranching systems. Aussie, Aussie, Aussie!

Horse-girl racing idol sim sounds like a joke, but Umamusume’s training loop is surprisingly sharp, races are tense, and the production value combined with attention to detail in recreating aspects of real world Japanese racehorses is weirdly elite. Gacha is generous upfront, but obviously brutal long-term. You’ll probably resent how much fun it is. A global phenomenon for a reason: addictive, unskippable, potentially shameful.

The Alters starts as a base sim adventure but quickly becomes something heavier. You don’t just optimise workflows, you mediate between fractured selves while a deadline creeps closer. It’s definitely more narratively driven than deep simulation sandbox - it’s sparse but sharp. Presented wonderfully, well-paced and worth your time.